Embracing Chaos: The Unconventional Symphony of “Un mal día lo tiene cualquiera”
In a world where routines reign supreme and order is revered, there exists a certain allure in the chaotic unknown.
“Un mal día lo tiene cualquiera,” directed by Eva Hache and produced by Pokeepsie Films, Atresmedia Cine, ICAA and Movistar Plus+, the film premiered in Spanish movie theaters on January 26th and delves deep into the realm of unpredictability with a refreshing blend of humor and heart.
At its core, the film follows Sonia, a woman whose life is meticulously organized, her adherence to rules unwavering. Yet, in the span of a single night, Sonia’s carefully constructed facade is shattered, propelling her into a whirlwind of spontaneity and self-discovery. It’s a journey that resonates with anyone who has ever felt the tug of rebellion against the constraints of conformity.
Vanessa Garde, the composer behind the film’s soundtrack, weaves a sonic tapestry that mirrors the main character’s journey with exquisite precision. The whole score serves as a testament to the power of embracing the akwardness of the unknown and surrending to the unexpected.
Soundtrack Album: A Musical Journey
- Una noche cualquiera
- Plantada
- Huida
- Conversación entre adultos
- Acelerón con amigas
- Unos céntimos
- ¡Venga, qué te llevamos!
- Performance
- Parada de los polis
- Abrazo amiga
- Parar un taxi
- Esperanza de la Iglesia
- Incendio
- Persecución
- Otro momento de mi vida
- Noticias en la radio
- Ya no sé quién soy
- Confundida
- Bernardo
- Un Mal Día Lo Tiene Cualquiera
Credits
Score, programming and music production: Vanessa Garde
Orchestration: Nerea Alberdi
Sound Design and Modular Electronic Programming: Carles Delgado
Composer’s assistant: Lucía Vázquez Montenegro
Mixing Engineer: José Luis Crespo
Orchestra: Budapest Art Orchestra and Famesproject
Composer’s Office: JUNY Film Composers